Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.


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Samuel Palmer Sketch from Nature in Syon park oil


Sketch from Nature in Syon park
Painting ID::  26366
Sketch from Nature in Syon park
mk49 1819 Oil on linen laid onto millboard
mk49 1819 Oil_on_linen_laid_onto_millboard
   
   
     

Samuel Palmer Study of Old Builings oil


Study of Old Builings
Painting ID::  26367
Study of Old Builings
mk49 1821 Brown ink and brown wash 19.2x26.7cm
mk49 1821 Brown_ink_and_brown_wash 19.2x26.7cm
   
   
     

Samuel Palmer Evening oil


Evening
Painting ID::  26368
Evening
mk49 1821 Brown ink and brown wash
mk49 1821 Brown_ink_and_brown_wash
   
   
     

Samuel Palmer A Hilly Scene oil


A Hilly Scene
Painting ID::  26369
A Hilly Scene
mk49 c.1824-6 Watercolour and gum arabic on mahogany support 20.6x13.7cm
   
   
     

Samuel Palmer At Hailsham,Storm Approaching oil


At Hailsham,Storm Approaching
Painting ID::  26370
At Hailsham,Storm Approaching
mk49 1821 Watercolour wash and gouache. 20.9x31.4cm
mk49 1821 Watercolour wash_and_gouache. 20.9x31.4cm
   
   
     

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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